Before that, I was in Matera, singing Domenico in Silent City. You can see some of the Italian media coverage here, from 08:15, and here, from 16:10, and see more about the production's fantastic accessibility work here.
I spoke about Matera and Silent City at the 2021 IFTR conference in July, asking how it held space for mourning as a reassembling of the social. I've recently given a few other papers: at 'Resisting Theatre: Plays, Politics and the Academy', the TaPRA-SCUDD Graduate Symposium, and at the TaPRA annual conference in September. I'll be speaking next at Cambridge's Graduate Interdisciplinary Network (GIN), on the 4th of November.
I've also recently joined the editorial board of Platform: Journal of Theatre and Performing Arts, as well as being a co-convenor of the Cambridge Drama and Performance graduate seminar, and a co-editor of Arcadiana.