My last performing work was on an immersive sonic re-imagining of Robert Macfarlane's Ness (2021), by Zoë Svendsen and Carolyn Downing, in which I played the Physicist. 

     

Before that, I was in Matera, singing Domenico in Silent City. You can see some of the Italian media coverage here, from 08:15, and here, from 16:10, and see more about the production's fantastic accessibility work here.

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I spoke about Matera and Silent City at the 2021 IFTR conference in July, asking how it held space for mourning as a reassembling of the social. I've recently given a few other papers: at 'Resisting Theatre: Plays, Politics and the Academy', the TaPRA-SCUDD Graduate Symposium, and at the TaPRA annual conference in September. I'll be speaking next at Cambridge's Graduate Interdisciplinary Network (GIN), on the 4th of November.

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I've also recently joined the editorial board of Platform: Journal of Theatre and Performing Arts, as well as being a co-convenor of the Cambridge Drama and Performance graduate seminar, and a co-editor of Arcadiana.